Brixton Letter 22
BR to Constance Malleson
June 18, 1918
- ALS
- McMaster
- Edited by
Kenneth Blackwell
Andrew G. Bone
Nicholas Griffin
Sheila Turcon
Cite The Collected Letters of Bertrand Russell, https://russell-letters.mcmaster.ca/brixton-letter-22
BRACERS 19316
<Brixton Prison>1
Tuesday evg.2
I have had such a terrible longing to be with you these last days — it has made it very hard to be patient. I hate to think of your having the prospect of being out of work3 — it is worrying. I do do hope you will get work. I feel you are unhappy, and I long to be able to put my arms round you and say tender words to you, and make you feel how much I believe in you. I do not see failure ahead of you. I see success, in one way or in another. I feel it very important not to judge things by a financial standard at this stage of your career. Work at the Old Vic or for Miles’s Little Theatre4 would be far better for you, from the point of view of real big serious work in the future, than a good part at a West End Theatre. You will say I know nothing about it, and that is true; but I know that in everything practice is useful, and practice in good work is better than in bad. I should say, take anything however badly paid if it gives practice and scope. I suppose you won’t have to support Miles in future. That is £400 a year clear — which one can live on. I shall have about the same, if the fellowship plan comes off. I have just been seeing Elizabeth, who was charming about you — not at all patronizing this time — beginning really to appreciate you. She told me, in answer to my inquiry, that, as I suspected, my brother does not want me back at Gordon Sq.5 So I shall go to my flat. I am glad to have it settled — and it is much pleasanter, except as regards expense. And you and I can be together from the first moment I am out — as much as ever you can manage. I long to be out — I need you, and I feel you need me. O my Dear, I feel so near you, so one with you. I have infinitely more sympathy and understanding towards you than I had. I know now what being out of work means to you — it means what imprisonment till the end of the war would mean to me. I was oppressive towards you, but I am not now. And I shan’t demand that you should shut out other people for my sake — tho’ no doubt I shall be cross! You spoke of having learnt charity this last year — so have I, a great deal — or rather understanding, which is the really valuable thing.
Dearest I should love to know more about your doings. Do you see Maurice much?6 Is he prospering? How about the Gordons?7 Was Miles responsible for the child Marie8 was going to have? Who do you see? And how do you pass your days? Are Miles and Basil Gill great friends?9 I want to be able to picture your days. But don’t bother to answer if it bores you.a— Mine of course contain no incident so I have nothing to tell. Next time I am going to return your letters, as it might be risky for me to try to take them out of the prison with me. Please put them with mine to you in that deed box, and I will move them into mine when I come out. Do not let them get lost. They are wonderful letters10 and I value them like the apple of my eye and I wouldn’t lose them for worlds.
My dear Heart, I miss you so dreadfully. You are the most wonderful lover that ever there was. I have been happy with you, happy beyond imagination. The moment of creeping into your arms — my lovely Darling, I wish I had all the gifts of the world to be able to tell you what that moment is to me. And you are in the world all this time and your arms are empty of me — and we have only one life, and the moments pass. When I come out we will go to Ashford, and there will be autumn mornings with dew and white gossamer and yellow leaves against a blue blue sky, and a delicious smell from leaves on the ground — and still evenings with a crisp coolness in the air. And I shall put my arms round you, and kiss your lips till our very souls touch — and O my love I shall feel that I have come to my home and that all my life up to that moment has been only prelude. I love you with all that is in me — if ever there was love in the world, you have love from me.
Goodnight my dearest Darling. Think of me counting the days till we can be together, living in the thought of you, happy — but oh so impatient.
B.
Letter to Miss Wrinch elsewhere.11 Read before forwarding if it would interest you.b
- 1
[document] The letter was edited from the initialled original in BR’s handwriting in the Malleson papers in the Russell Archives. The single sheet of laid paper, ruled on one side, was folded twice.
- 2
[date] “[Probably 25 June 1918]” was added by Colette to BR’s “Tuesday evg.” In the letter BR said he was longing to see Colette and gave no sign that he expected to do so soon. However, Colette’s letter of 26 June 1918 (BRACERS 113136) and a letter from Gladys Rinder of 21 June (BRACERS 79616) indicate that Colette would see him on the 26th, a Wednesday. Only one visit of friends and family was allowed per week, on either Tuesday or Wednesday, and BR indicated in the current letter that he had just seen his sister-in-law, Elizabeth. Moreover, in his letter to Frank Russell of 24–25 June, he told Ottoline he wished the fellowship plan dropped, whereas in the current letter he was still hoping the plan might come off. The letter seems, therefore, to have been written on Tuesday, the 18th of June.
- 3
prospect of being out of work In a letter from Gladys Rinder to BR, 21 June 1918 (BRACERS 79616), Colette (as C.O’N) wrote: “I have two or three jobs under discussion but nothing definite.”
- 4
Miles’s Little Theatre In her letter of 24 June (BRACERS 113135) Colette wrote: “The idea of starting an Experimental Theatre ... is taking shape. Miles would earn a tiny income from it.”
- 5
Gordon Sq. With Frank and Elizabeth’s marriage coming apart and BR tending to sympathize more with Elizabeth than with Frank, Frank was no longer willing to let BR stay at Gordon Sq. when he was released from prison.
- 6
see Maurice much? There was a response of sorts to this in Colette’s letter of 10 July 1918 (BRACERS 113140), in which she indicated that Maurice Elvey had turned up at Brighton and that she had felt at odds with him. Colette had been there with Gladys Rinder in mid-June (BRACERS 2841). She promised BR that she would write “more about it when it is clearer” in her own mind.
- 7
the Gordons? Presumably BR meant to write “the Greenwoods”. In her letter of 18 July Colette told BR that “Miles has been seeing a good deal of the Edwin Greenwoods” (BRACERS 113143). BR had met the Greenwoods; Edwin was a C.O. and also an actor. He corresponded with both Edwin and Georgie Greenwood the year after leaving prison. Edwin Greenwood (1895–1939) became a screenwriter, director, and novelist.
- 8
Marie Colette wrote in a letter of 10 July 1918 (BRACERS 113140), in response to BR’s requests in Letter 28, that Marie Blanche “seems to be vanishing, but I don’t think Miles is specially upset.” On 20 August (BRACERS 113152), she added: “Marie, by the way, has quite vanished. I knew her three whole years before I knew you, we were such friends, and now she’s vanished. Sad.” As for BR’s paternity question, it cannot be determined whether Miles was the father.
- 9
Miles and Basil Gill great friends? Colette had first written of Miles and Basil Gill becoming friends in her letter of 4 June (BRACERS 113134). Basil Gill (1877–1955) was a stage and film actor.
- 10
They are wonderful letters Colette had them typed for her book of her letters to BR (unpublished; in the Russell Archives). She reported to K. Blackwell that “the originals, carelessly stored in Sweden, were by accident destroyed in a fire there” (12 Nov. 1968, BRACERS 121624).
- 11
elsewhere This letter, which is not extant, was placed elsewhere in the “camouflage” book or journal in which Letter 28 was concealed. (BR used the term “camouflage books” in Letter 89.)
57 Gordon Square
The London home of BR’s brother, Frank, 57 Gordon Square is in Bloomsbury. BR lived there, when he was in London, from August 1916 to April 1918, with the exception of January and part of February 1917.
Boismaison
Colette and BR vacationed at a house, The Avenue, owned by Mrs. Agnes Woodhouse and her husband, in the countryside near Ashford Carbonel, Shropshire, in August 1917. They nicknamed the house “Boismaison”. Agnes Woodhouse took in paying guests. Their first visit was idyllic. They returned for other vacations — in 1918 before he entered prison and in April 1919. Their plan to go soon after he got out of prison failed because their relationship faltered for a time. They discussed returning in the summer of 1919 — a booking was even made for 12–19 July — but in the end they didn’t go. See S. Turcon, “Then and Now: Bertie and Colette’s Escapes to the Peak District and Welsh Borderlands”, Russell 34 (2014): 117–30.
Brixton Prison
Located in southwest London Brixton is the capital’s oldest prison. It opened in 1820 as the Surrey House of Correction for minor offenders of both sexes, but became a women-only convict prison in the 1850s. Brixton was a military prison from 1882 until 1898, after which it served as a “local” prison for male offenders sentenced to two years or less, and as London’s main remand centre for those in custody awaiting trial. The prison could hold up to 800 inmates. Originally under local authority jurisdiction, local prisons were transferred to Home Office control in 1878 in an attempt to establish uniform conditions of confinement. These facilities were distinct from “convict” prisons reserved for more serious or repeat offenders sentenced to longer terms of penal servitude.
Dorothy Wrinch
Dorothy Maud Wrinch (1894–1976), mathematician, philosopher, and theoretical biologist. She studied mathematics and philosophy at Girton College, Cambridge, and came under BR’s influence in her second year when she took his course on mathematical logic. She taught mathematics at University College, London, 1918–21, and then at Oxford, 1922–30. Her first publications were in mathematical logic and philosophy, and during the 1920s she wrote on the philosophy of science. But in the 1930s her interests turned to mathematical biology and crystallography, and in 1935 she moved to the United States on a Rockefeller Foundation fellowship and remained there for the rest of her life. Unfortunately, as a biologist she is best known for a long and stubborn controversy with Linus Pauling about the structure of proteins in which he was right and she was wrong. See Marjorie Senechal, I Died for Beauty: Dorothy Wrinch and the Cultures of Science (New York: Oxford U. P., 2013). Chapter 7 is devoted to Wrinch’s interactions with BR in Brixton.
Elizabeth Russell
Elizabeth Russell, born Mary Annette Beauchamp (1866–1941), was a novelist who in 1891 married Graf von Arnim-Schlagenthin. She became known as “Elizabeth”, the name she used in publishing Elizabeth and Her German Garden (1898), and she remained widely known as Elizabeth von Arnim, although the Library of Congress catalogues her as Mary Annette (Beauchamp), Countess von Arnim. She was a widow when she married BR’s brother, Frank, on 11 February 1916. The marriage was quickly in difficulty; she left it for good in March 1919, but they were never divorced and she remained Countess Russell (becoming Dowager Countess after Frank’s death in 1931).
Experimental Theatre
Colette first mentioned that she and Miles were trying to start an Experimental Theatre in a letter of 24 June 1918 (BRACERS 113135), indicating that Miles would earn a tiny income from it. About a month later, she wrote that Elizabeth Russell had subscribed generously to the Theatre and that £700 had been raised, but hundreds still had to be found (BRACERS 113146). A few days later she wrote that Captain Stephen Gordon, a north-country lawyer working for the government, was to be the honorary treasurer, noting that he had “put most of the drive into the whole thing” (BRACERS 113147). During August Colette was happy with her involvement with the Theatre (Letter 68). John Galsworthy came to tea to discuss the project (c.14 Aug., BRACERS 113149). On 2 September she listed the members of the Theatre committee as “Desmond <MacCarthy>, Massingham, Galsworthy, and Dennis (Bradley)” (BRACERS 113155). The following day she wrote that she was learning three parts (BRACERS 113156). In her memoirs, Colette wrote about the “Experimental Little Theatre” but dated it 1919 (After Ten Years [London: Cape, 1931], pp. 129–30). An “artistic” theatre did get founded in 1920 in Hampstead, and John Galsworthy was connected to that venture, The Everyman Theatre — he was part of a reading committee which chose the works to be performed (The Times, 9 Sept. 1919, p. 8). The Everyman Theatre was under the direction of Norman MacDermott. In his book Everymania (London: Society for Theatre Research, 1975), he noted that he met Miles in the summer of 1918: they rented a store in Bloomsbury, had a cabinetmaker build sets, and put on plays with actors “bored with West-End theatres” (p. 10). It is likely that the Everyman Theatre was an out-growth of the Experimental Theatre.
Fellowship Plan
Since the upper-age limit for compulsory military service had been increased to 50 in April 1918, BR was faced with the unnerving prospect of being conscripted after his release from Brixton. Early in his imprisonment he was already wondering about his “position when I emerge from here” (Letter 9). While his conviction was still under appeal, he had broached with Clifford Allen and Gilbert Murray the possibility of avoiding military service, not by asserting his conscientious objection to it, but by obtaining accreditation of his philosophical research as work of national importance (see note to Letter 24). The Pelham Committee, set up by the Board of Trade in March 1916, was responsible for the designation of essential occupations and recommending to the local tribunals, who adjudicated claims for exemption from military service, that C.O.s be considered for such positions. BR reasoned to Murray on 2 April that a dispensation to practise philosophy (as opposed to working outside his profession), would enable to him to “avoid prison without compromise” — i.e., of his political and moral opposition to conscription (BRACERS 52367). Although BR intended to withdraw from political work, he told Murray two days later, he would not promise to abstain from peace campaigning (BRACERS 52369). It should be noted that C.O.s who accepted alternative service in special Home Office camps were expressly prohibited from engaging in pacifist activities (see John W. Graham, Conscription and Conscience: a History, 1916–1919 [London: Allen & Unwin, 1922], p. 231).
BR was far from sanguine about the prospect of success before a local tribunal. But he came to think (by early June) that his chances would be improved if his academic supporters interceded directly with the Minister of National Service, Sir Auckland Geddes. In addition, he calculated that such entreaties would be more effective if those acting on his behalf could secure and even endow a fellowship for him and thereby have “something definite to put before Geddes” (Letter 12; see also Letters 15 and 19). BR definitely wanted to rededicate himself to philosophy and would have welcomed a new source of income from academic employment (see Letter 22). But the “financial aspect was quite secondary”, he reminded Frank on 24 June (Letter 27); he was interested in the fellowship plan primarily as a safeguard against being called up, for teachers over 45 were not subject to the provisions of the recently amended Military Service Act. In the same letter, however, BR told his brother that “I wish it <the plan> dropped” on account of reservations expressed to him in person by Wildon Carr and A.N. Whitehead (see also Letter 31), two philosophers whom he respected but who seemed to doubt whether BR’s financial needs were as great as they appeared (see note to Letter 102).
Yet BR’s retreat was only temporary. On 8 August, he expressed to Ottoline a renewed interest in the initiative, and a few days later, she, her husband and Gladys Rinder met in London to discuss the matter. As Ottoline reported to BR, “we all felt that it was useless to wait for others to start and we decided that P. and I should go and see Gilbert M. and try and get him to work it with the Philosophers” (11 Aug. 1918, BRACERS 114754). BR probably wanted Murray to spearhead this lobbying (see also Letters 65 and 70) because of his political respectability and prior success in persuading professional philosophers to back an appeal to the Home Secretary for BR’s sentence to be served in the first division (see Letter 6). Murray did play a leading role but not until early the following month, when BR was anxious for the fellowship plan to succeed as his release date neared. The scheme finally gathered momentum after a meeting between Ottoline, Rinder and Carr on 6 September 1918, at which the philosopher and educationist T. Percy Nunn, another academic supporter of BR, was also present. Within a few days Murray had drafted a statement with an appeal for funds, which was endorsed by Carr, Whitehead, Nunn, Samuel Alexander, Bernard Bosanquet, G. Dawes Hicks, A.E. Taylor and James Ward. This memorial was then circulated in confidence to philosophers and others, but only after BR’s release from Brixton. (Financial pledges had already been made by a few of BR’s friends and admirers, notably Lucy Silcox and Siegfried Sassoon.) BR’s solicitor, J.J. Withers, became treasurer of this endowment fund, the goal of which was to provide BR with £150 or £200 per annum over three years. On 30 August BR had confessed to Ottoline that he did not want an academic position “very far from London” (Letter 89) and reiterated this desire in a message to Murray communicated by Rinder (Letter 97). On 6 September Rinder (BRACERS 79633) hinted that she already knew where the appointment would be, but there are no other indications that a particular establishment had been decided upon. Ultimately, no affiliation was contemplated for BR, so the memorial stated, because “in the present state of public feeling no ordinary university institution is likely to be willing to employ him as a teacher” (copy in BRACERS 56750). The circular talked instead of a “special Lectureship”, and the £100 BR received from the fund early in 1919 was explicitly issued as payment for lectures (on “The Analysis of Mind”; see syllabus, in Papers 9: App. III.1) that he would deliver that spring. BR’s solicitor also informed him that provision existed to pay him a further £100 for an autumn lecture course (see syllabus, ibid.: App. III.2), and Withers anticipated that these arrangements might “last two or three years” (2 Jan. 1919, BRACERS 81764). BR had already obtained a £50 gift from the fund in November 1918. Somewhat ironically, the critical importance of a teaching component to the fellowship plan — as insurance against conscription — was reduced by the authorities hesitating to hound BR any further after his imprisonment, and all but nullified by the end of the war a few weeks later. (There were no fresh call-ups, but the last of the C.O.s already in prison were not released until August 1919, and conscription remained in effect until April 1920.)
Frank Russell
John Francis (“Frank”) Stanley Russell (1865–1931; 2nd Earl Russell from 1878), BR’s older brother. Author of Lay Sermons (1902), Divorce (1912), and My Life and Adventures (1923). BR remembered Frank bullying him as a child and as having the character and appearance of a Stanley, but also as giving him his first geometry lessons (Auto. 1: 26, 36). He was accomplished in many fields: sailor, electrician, house builder, pioneer motorist, local politician, lawyer, businessman and company director, and (later) constructive junior member of the second Labour Government. Frank was married three times. The first marriage involved serious legal actions by and against his wife and her mother, but a previous scandal, which ended his career at Oxford, had an overshadowing effect on his life (see Ruth Derham, “‘A Very Improper Friend’: the Influence of Jowett and Oxford on Frank Russell”, Russell 37 [2017]: 271–87). The second marriage was to Mollie Sommerville (see Ian Watson, “Mollie, Countess Russell”, Russell 23 [2003]: 65–8). The third was to Elizabeth, Countess von Arnim. Despite difficulties with him, BR declared from prison: “No prisoner can ever have had such a helpful brother” (Letter 20).
Gladys Rinder
W. Gladys Rinder worked for the No-Conscription Fellowship and was “chiefly concerned with details in the treatment of pacifist prisoners” (BR’s note, Auto. 2: 88). More specifically, she helped administer the Conscientious Objectors’ Information Bureau, a joint advisory committee set up in May 1916 and representing two other anti-conscription organizations — the Friends’ Service Committee and Fellowship of Reconciliation — as well as the NCF. One C.O. later testified to her “able and zealous” management of this repository of records on individual C.O.s (see John W. Graham, Conscription and Conscience: a History, 1916–1919 [London: Allen & Unwin, 1922], p. 186). Rinder exhibited similar qualities in assisting with the distribution of BR’s correspondence from prison and in writing him official and smuggled letters. Her role in the NCF changed in June 1918, and after the Armistice she assumed control of a new department dedicated to campaigning for the immediate release of all imprisoned C.O.s. She appears to have lost touch with BR after the war but continued her peace advocacy, which included publishing occasionally on international affairs. In 1924 she travelled to Washington, DC, as part of the British delegation to a congress of the Women’s International League for Peace and Freedom. Decades later Colette remembered Rinder to Kenneth Blackwell as somebody who “seemed about 40 in 1916–18. She was a completely nondescript person, but efficient, and kind” (BRACERS 121687).
Marie Blanche
Marie Blanche (1891–1973) studied at the Academy of Dramatic Arts where she met Colette. She sang as well as acted and had a successful career on the London stage in the 1920s. A photograph of her appeared in The Times, 20 March 1923, p. 16.
Maurice Elvey
Maurice Elvey (1887–1967) was a prolific film director (of silent pictures especially) and enjoyed a very successful career in that industry lasting many decades. Born William Seward Folkard into a working-class family, Elvey changed his name around 1910, when he was acting. He directed his first film, The Fallen Idol, in 1913. By 1917, when he directed Colette in Hindle Wakes, he had married for a second time — to a sculptor, Florence Hill Clarke — his first marriage having ended in divorce. Elvey and Colette had an affair during the filming of Hindle Wakes, beginning in September 1917, which caused BR great anguish. In addition to his feeling of jealousy during his imprisonment, BR was worried over the rumour that Elvey was carrying a dangerous sexually transmitted disease. (See BR, “My First Fifty Years”, RA1 210.007050–fos. 127b, 128, and Monk, 2: 507). Colette later maintained that Elvey cleared himself (“Letters to Bertrand Russell from Constance Malleson, 1916–1969”, p. 154, typescript, RA). BR removed the allegation from the Autobiography as published (see 2: 37), but he remained fearful. After Elvey’s long-lost wartime film about the life of Lloyd George was rediscovered and restored in the 1990s, it premiered to considerable acclaim (see Letter 87, note 12).
Miles Malleson
Miles Malleson (1888–1969), actor and playwright, was born in Croydon, Surrey, the son of Edmund and Myrrha Malleson. He married his first wife, a fellow actor, Lady Constance Annesley (stage name, Colette O’Niel), in 1915. They had met at Tree’s (later the Royal Academy of Dramatic Arts). Their marriage was an “open” one. In 1914 Miles enlisted in the City of London Fusiliers and was sent to Malta. He became ill and was discharged, unfit for further service. He became active in the No-Conscription Fellowship and wrote anti-war stage plays as well as a pamphlet, Cranks and Commonsense (1916). In the 1930s he began to write for the screen and act in films, in which he became a very well-known character actor, as well as continuing his stage career at the Old Vic in London. He married three times: his second marriage was to Joan Billson, a physician (married 1923, divorced 1940), with whom he had two children; his third wife was Tatiana Lieven, an actress (married 1946). He died in London in March 1969.
Russell Chambers
34 Russell Chambers, Bury Street (since renamed Bury Place), London WC1, BR’s flat since 1911. Helen Dudley rented the flat in late 1916 or early 1917. In May 1918 she sublet it to Clare Annesley. Colette moved in on 9 September 1918 and stayed until June 1919. BR did not give up the lease until December 1923. See S. Turcon, “Russell Chambers, Other London Flats, and Country Homes, 1911–1923”, Bertrand Russell Society Bulletin, no. 150 (Fall 2014): 30–4. “Russell Chambers, Other London Flats, and Country Homes, 1911–1923”, Bertrand Russell Society Bulletin, no. 150 (Fall 2014): 30–4.
Constance Malleson
Lady Constance Malleson (1895–1975), actress and author, was the daughter of Hugh Annesley, 5th Earl Annesley, and his second wife, Priscilla. “Colette” (as she was known to BR) was raised at the family home, Castlewellan Castle, County Down, Northern Ireland. Becoming an actress was an unusual path for a woman of her class. She studied at Tree’s (later the Royal Academy of Dramatic Art), debuting in 1914 with the stage name of Colette O’Niel at the Duke of York’s Theatre, London, in a student production. She married fellow actor Miles Malleson (1888–1969) in 1915 because her family would not allow them to live together. In 1916 Colette met BR through the No-Conscription Fellowship and began a love affair with him that lasted until 1920. The affair was rekindled twice, in 1929 and 1948; they remained friends for the rest of his life. She had a great talent for making and keeping friends. Colette acted in London and the provinces. She toured South Africa in 1928–29 and the Middle East, Greece and Italy in 1932 in Lewis Casson and Sybil Thorndike’s company. She acted in two films, both in 1918, Hindle Wakes and The Admirable Crichton, each now lost. With BR’s encouragement she began a writing career, publishing a short story in The English Review in 1919. She published other short stories as well as hundreds of articles and book reviews. Colette wrote two novels — The Coming Back (1933) and Fear in the Heart (1936) — as well as two autobiographies — After Ten Years (1931) and In the North (1946). She was a fierce defender of Finland, where she had lived before the outbreak of World War II. Letters from her appeared in The Times and The Manchester Guardian. Another of her causes was mental health. She died five years after BR in Lavenham, Suffolk, where she spent her final years. See S. Turcon, “A Bibliography of Constance Malleson”, Russell 32 (2012): 175–90.