Rupert Chawner Brooke (1887–1915), poet and soldier, became a tragic symbol of a generation doomed by war after he died from sepsis en route to the Gallipoli theatre. Although BR had previously expressed a dislike, even loathing, of Brooke in letters to Ottoline, he too placed him in this tragic posthumous light. Rupert “haunts one always”, he wrote Ottoline shortly after the poet’s death in April 1915, and (five months later) “one is made so terribly aware of the waste when one is here [Trinity College]…. Rupert Brooke’s death brought it home to me” (BRACERS 18431, 18435: see also Letter 85). Brooke had become acquainted with BR and members of the Bloomsbury Group in pre-war Cambridge. BR was an examiner of Brooke’s King’s College fellowship dissertation (later published as John Webster and the Elizabethan Drama ), with which he was pleasantly and surprisingly impressed. “It is astonishingly well-written, vigorous, fertile, full of life”, he reported to Ottoline in February 1912 (BRACERS 17447). After the outbreak of war Brooke obtained a commission in a naval reserve unit attached to a military combat battalion; his war poetry captures the patriotic idealism that compelled so many young men to enlist.