Brixton Letter 82
<Brixton Prison>1
Sunday. 25 Aug. ’18.
My Beloved —
Don’t think, please, because I have moments of violent impulse, that my tenderness towards you is not very real and great. It really is. I can’t bear it when I have given you pain. These impulses come, but the underlying lasting feeling is utterly tender. That is really true, Dearest.
I do want affection to grow between you and me. Affection is a slow growth, not like passion — and I fear that when I am violent I check its growth, as we both did at the Blackpool2 time. But love such as yours and mine ought to grow into a very strong affection — if it does not, it has missed its aim. I do have a true affection for you — think of the Clee Hill day. It was affection, not passion, that first brought me back after Blackpool. Dearest Love, I want your affection, and I hate to bruise it by violence.
O my dear, I shall be with you again — in your arms — before very long. Sweet Love, Sweet Dear, my Angel, my lovely Darling.
I envy Yellow Peril3 being with you all this time. I shall love seeing him again.
When your birthday comes we will have fun, and get you what shall it be? A new night dress? Something we can remember the time by, compatibly with our poverty! Goodnight my heart’s Joy — my thoughts are with you from morning till night, and in my dreams.
[document] The letter was edited from the unsigned, twice-folded half-sheet, in BR’s hand in the Malleson papers in the Russell Archives. The paper is the bottom half of a ruled sheet, turned 90 degrees.
Blackpool The film Hindle Wakes was shot in and near Blackpool in September 1917. BR became very jealous of Colette’s affair with her director, Maurice Elvey, and this caused a serious rift with her.
Yellow Peril Colette’s dressing gown. Colette had written on 25 August (BRACERS 113153) asking for “permission” to dye it malachite for the winter.
Located in southwest London
Brixton is the capital’s oldest prison. It opened in 1820 as the Surrey House of Correction for minor offenders of both sexes, but became a women-only convict prison in the 1850s. Brixton was a military prison from 1882 until 1898, after which it served as a “local” prison for male offenders sentenced to two years or less, and as London’s main remand centre for those in custody awaiting trial. The prison could hold up to 800 inmates. Originally under local authority jurisdiction, local prisons were transferred to Home Office control in 1878 in an attempt to establish uniform conditions of confinement. These facilities were distinct from “convict” prisons reserved for more serious or repeat offenders sentenced to longer terms of penal servitude.
Near Ashford Carbonel, Shropshire,
where BR and Colette spent an idyllic summer holiday in August 1917, staying in house named “The Avenue”. BR mentioned the day at Clee Hill in several letters, the last on 8 September 1918 (Letter 100). What exactly happened on that day is not clear in any of his letters. However, in a prison message to BR, Colette remembered that a red fox came and listened to them there (Rinder to BR, 15 June 1918, BRACERS 79614). They also vacationed at The Avenue in March 1918, before BR entered prison.
Maurice Elvey (1887–1967) was a prolific film director (of silent pictures especially) and enjoyed a very successful career in that industry lasting many decades. Born William Seward Folkard into a working-class family, Elvey changed his name around 1910, when he was acting. He directed his first film, The Fallen Idol, in 1913. By 1917, when he directed Colette in Hindle Wakes, he had married for a second time — to a sculptor, Florence Hill Clarke — his first marriage having ended in divorce. Elvey and Colette had an affair during the filming of Hindle Wakes, beginning in September 1917, which caused BR great anguish. In addition to his feeling of jealousy during his imprisonment, BR was worried over the rumour that Elvey was carrying a dangerous sexually transmitted disease. (See BR, “My First Fifty Years”, RA1 210.007050–fos. 127b, 128, and Monk, 2: 507). Colette later maintained that Elvey cleared himself (“Letters to Bertrand Russell from Constance Malleson, 1916–1969”, p. 154, typescript, RA). BR removed the allegation from the Autobiography as published (see 2: 37), but he remained fearful. After Elvey’s long-lost wartime film about the life of Lloyd George was rediscovered and restored in the 1990s, it premiered to considerable acclaim (see Letter 87, note 12).
Lady Constance Malleson (1895–1975), actress and author, was the daughter of Hugh Annesley, 5th Earl Annesley, and his second wife, Priscilla. “Colette” (as she was known to BR) was raised at the family home, Castlewellan Castle, County Down, Northern Ireland. Becoming an actress was an unusual path for a woman of her class. She studied at Tree’s (later the Royal Academy of Dramatic Art), debuting in 1914 with the stage name of Colette O’Niel at the Duke of York’s Theatre, London, in a student production. She married fellow actor Miles Malleson (1888–1969) in 1915 because her family would not allow them to live together. In 1916 Colette met BR through the No-Conscription Fellowship and began a love affair with him that lasted until 1920. The affair was rekindled twice, in 1929 and 1948; they remained friends for the rest of his life. She had a great talent for making and keeping friends. Colette acted in London and the provinces. She toured South Africa in 1928–29 and the Middle East, Greece and Italy in 1932 in Lewis Casson and Sybil Thorndike’s company. She acted in two films, both in 1918, Hindle Wakes and The Admirable Crichton, each now lost. With BR’s encouragement she began a writing career, publishing a short story in The English Review in 1919. She published other short stories as well as hundreds of articles and book reviews. Colette wrote two novels — The Coming Back (1933) and Fear in the Heart (1936) — as well as two autobiographies — After Ten Years (1931) and In the North (1946). She was a fierce defender of Finland, where she had lived before the outbreak of World War II. Letters from her appeared in The Times and The Manchester Guardian. Another of her causes was mental health. She died five years after BR in Lavenham, Suffolk, where she spent her final years. See S. Turcon, “A Bibliography of Constance Malleson”, Russell 32 (2012): 175–90.
