Brixton Letter 103
BR to Constance Malleson
September 11, 1918
- ALS
- McMaster
- Edited by
Kenneth Blackwell
Andrew G. Bone
Nicholas Griffin
Sheila Turcon
Cite The Collected Letters of Bertrand Russell, https://russell-letters.mcmaster.ca/brixton-letter-103SLBR 2: #321
BRACERS 19361
<Brixton Prison>1
Wed. evg. 11 Sp. 1918.
My dearest Darling
Your letter is such a joy,2 Beloved. Less than 3 weeks3 now. I shall breakfast here that day. And I shall ring your bell and you will open your door and we shall be together. And all this long weary time will shrink into a moment, and we shall begin the real life together. I do love your having this work and feeling like C.A. with the N.C.F.4 Yes, I can quite imagine that you and Gordon have to put all the driving force5 into it. But it is splendid having something one believes in to put one’s force into. — I gather indirectly from Gladys that you can manage the plans I suggested, as regards dates. I have suggested Oct. 22 to Ottoline, and she suggests Lulworth Cove — so I shall take that as settled.6 The intervening week-end I suppose I ought to spend with my brother. Probably I should be only 2 nights at Lulworth — then come back for 2 nights and then go to C.A. at Leith Hill7 for week-end. He is to be there 2 months at least, as you will have heard. I think he has escaped C.E.M.8 He was subdued before my brother but it was lovely seeing him. I do love him.
I must stick to leaving N.C.F. Comee.9 I can’t be just a perfunctory member; I know they will do things I shall disagree with, and I would rather resign without disagreement. If I stay on, I shall not be able to get absorbed in philosophy. If Salter writes to suggest reconsidering, I will write him a long letter.10 — How amusing to think of old Voltaire so bacchanalian!11 When those things come from Marlow,12 you can put the Persian bowl13 on its ebony stand in the place where Voltaire is now.14 And there should also be 2 candlesticks from Marlow to go on the mantelpiece. I feel V. is not appropriate to you so much as the Persian bowl, which always was there for years until I got V. But of course you will have which you like best. I love to think of you there15 only I keep feeling apologetic and afraid you won’t like it or won’t be comfortable or something. Oh what heaven it will be to be there with you. You must tell me all the business of the new theatre and let me enter into it fully.
These last weeks, every day that passes lifts off something of the weight of separation. When I first came in here, I felt that I had got into a tangle through recklessness16 — risk of being in prison till the end of the war, risk of poverty, great expenditure of energy on pacifism without anything achieved. I spent the first month or more thinking out how to avoid unfruitfulness. Thanks to the amazing kindness of friends, it seems as if that would be all right. When I had got everything thought out, I fretted because I couldn’t get to work at once, and because I wanted so terribly to be with you — and then I got morbid fears about you. Now I have no troubles, I am utterly happy as regards you, and I see that work and money will be all right. Henceforth I will be less reckless: it is time to gather the fruit. I have had experience of various kinds, and I have believed in various creeds; now I feel I have got to what suits my nature, and I must think more of giving out what I have learnta than of learning more. Otherwise I shall be dead before I have expressed what is in me. I have these last weeks a great strength — the strength that comes of a perfectly clear purpose. I see the way clear before me to the realization of a great ambition, the ambition to create and express a well-rounded whole of philosophy, theoretical and practical, in a form interesting to all sorts of people, and with really important bearings on politics and how to live. To bring this to birth, I need: Perfect health; no anxieties about money; a life of routine during half the year, when I read and write; real holidays; and above all personal happiness. There seems no reason why I shouldn’t have all these things now. If so, in the next 10 years I will actually achieve the sort of thing that has floated before my mind as a vision ever since I was a boy.17 It is to that that all my efforts are directed now.
The war has made me feel the terrific importance of being constructive, building up positive things. You will be doing that with your theatre. I mean to do it too: I mean to give expression to the philosophy that I believe in, and that I feel sure is appropriate to the world that will exist. I do not want to remain a voice crying in the wilderness: I want to be a voice that is answered and echoed, saying things men care to hear. And I am sure the young men, when peace liberates them, will care to hear what I wish to say.
This is a lot about myself — but I want you to know how full of life I am, and how full of real creative energy. It all centres in you and rests on you. Happiness in your love sets everything free in me.
My Beloved, every hour and every minute I think of you with joy and longing. You are beautiful my dear one, your eyes are like the morning star and your soul is like the sunlit sea. I seem to stand beside you at the edge of the world18 looking into the depths and mysteries of unexplored abysses — all that is strong and triumphant in me feels you my comrade19 — and the wiser being beneath, the child, that knows its weakness and the vast cold power of the world, turns to you too, for warmth and shelter. Dear one, it is only through love, great love, that truth can be endured — and you give me the love that makes truth endurable, and by that you make me strong. Goodnight Beloved — I love you, love you, love you.
B.
You have been angelic to Eliot20 — thank you 1000 times.b
Thurs mg. One more word of love Darling. A very short time now — and then joy. I am full of happiness, more every day — Your letters are an infinite delight and comfort to me — All my heart is with you every moment — I send you 1000 kisses and all the tender thoughts that ever were in the world.
Letters for Gladys and Ottoline and Miss Wrinch, and from Eliot,21 further on. (Read any that interest you)c
- 1
[document] The letter was edited from the initialled, twice-folded, two-sheet original in the Malleson papers in the Russell Archives. The folding left exposed two originally blank quarter pages. The “Thurs mg.” note appears on one of them, and the note about other letters on the other. The letter was published as #321 in Vol. 2 of BR’s Selected Letters.
- 2
Your letter is such a joy Colette’s letter of 7 September (BRACERS 113157).
- 3
Less than 3 weeks In fact it was three days, as BR was granted an earlier remission of his sentence by Sir George Cave, the Home Secretary. He left prison on 14 September, eighteen days earlier than his expected release date of 2 October.
- 4
having this work … feeling like C.A. with the N.C.F. Colette’s work with the Experimental Theatre and her dramatizing of Wuthering Heights for the screen are meant. The comparison with Allen suggests that both found work that satisfied their creative impulses.
- 5
you and Gordon … the driving force Captain Stephen Gordon, a north-country lawyer working for the government in London, was to be the honorary treasurer of the Experimental Theatre, with Colette noting that he had “put most of the drive into <the> whole thing” (3 Aug. 1918; BRACERS 113147). More than a month later, BR echoed this phrase. Her most recent letter (7 Sept. 1918, BRACERS 113157), indicated only the amount that the Experimental Theatre had collected — £1,000, with her and Miles to collect another £100 the following day.
- 6
Oct. 22 to Ottoline … Lulworth Cove … as settled Ottoline and BR intended to stay for about a week at this picturesque Dorset location. While still in prison, BR keenly anticipated visiting the coast (see Letter 94) and told Ottoline after his release that he was “counting on Lulworth” (3 Oct. 1918, BRACERS 18698). Despite BR’s assumption that the arrangements were settled, Ottoline dropped out of the planned trip on 7 October (BRACERS 114761), and BR ended up going to Lulworth with Colette, on 16–19 October.
- 7
then go to C.A. at Leith Hill BR did spend time at the end of October 1918 with Clifford Allen at Lemons Cottage, Abinger, which is near Leith Hill.
- 8
C.E.M. Catherine Marshall and Clifford Allen travelled together in the north of England and in Scotland during his convalescence, upon his release from prison in December 1917. Despite their undoubted romance, Martin Gilbert’s Plough My Own Furrow: the Story of Lord Allen of Hurtwood as Told through His Writings and Correspondence (London: Longmans, 1965) does not suggest one; nor does Jo Vellacott, Bertrand Russell and the Pacifists in the First World War (New York: St. Martin’s P., 1980), while noting their travels together (p. 218).
- 9
I must stick to leaving N.C.F. Comee. Colette had written: “But I find I’m still a bit sad about your leaving the N.C.F. Couldn’t you manage National Committee once a month?” (7 Sept. 1918; BRACERS 113157). BR’s letter of resignation was to be given by Gladys Rinder (6 Sept., BRACERS 79633) to Dr. Salter for the meeting of the National Committee on 13 September, the day before his sudden, unexpected release from Brixton. BR had attempted to resign less formally, but Rinder begged him for a proper note or message (3 Sept., BRACERS 79631); no copy is known. The resignation was not announced in The Tribunal.
- 10
write him a long letter Colette had advised writing a “good long letter” of resignation if he was set on leaving the No-Conscription Fellowship (7 Sept. 1918; BRACERS 113157).
- 11
old Voltaire so bacchanalian Colette was arranging BR’s things at Russell Chambers. She had put his bust of Voltaire on the mantelpiece and told BR: “Voltaire is looking wildly bacchanalian on his perch above the fire. I’ve put clusters of glowing rowan berries behind his witty old head. He doesn’t mind at all. He’s quite enjoying himself in honour of your return” (7 Sept. 1918; BRACERS 113157).
- 12
Marlow T.S. Eliot and his wife, Vivienne, rented a cottage at 31 West Street in the village of Marlow, Bucks., on 5 December 1917, taking a five-year lease (The Letters of T.S. Eliot, ed. Valerie Eliot et al. [London: Faber and Faber, 1988], 1: 233). BR had a financial obligation with regard to the rental and contributed furniture as well. He asked in Letter 56 whether Eliot had brought the things that he had sent for. He did not get them until 1919 (Eliot, Letters, 1: 337). In 1919, tenants were subletting Marlow from the Eliots; their lease ended on 25 March (BR to Colette, 5 Feb. 1919, BRACERS 19430). On 19 March 1919 BR wrote to Eliot (BRACERS 57864), enclosing a list of things at Marlow that he needed returned. They included a tea-table and coffee-grinder, as well as clothing. A month later Vivienne Eliot said she had been to Marlow to pick up the table but she could not get help in bringing it back (19 April 1919, BRACERS 1025). There is no indication of either the Eliots or BR being at Marlow after 1920; it seems to have been sublet again, unfurnished.
- 13
Persian bowl “Would you also perhaps say that your Persian bowl had been (and is) your most important objet d’art?” Colette posed this question in her letter of 2 January 1950, p. 15 (BRACERS 98449).
- 14
where Voltaire is now In her reply Colette jested that she “had a long confab with Voltaire, who isn’t at all enchanted at your proposal to remove him from his perch. So you and he can fight it out between you. Scrumptious prospect” (13 Sept. 1918; BRACERS 113160).
- 15
you there Colette moved into BR’s Bury Street flat on 9 September 1918 (BRACERS 113157).
- 16
tangle through recklessness BR may have meant in particular his sentence in “The German Peace Offer” (The Tribunal, no. 90 [3 Jan. 1918]: 1; Auto. 2: 79–81; 92 in Papers 14): “The American Garrison which will by that time by occupying England and France, whether or not they prove efficient against the Germans, will no doubt be capable of intimidating strikers, an occupation to which the American Army is accustomed when at home.” The Government prosecuted him specifically for this sentence. BR had, in fact, drawn back from his anti-war work and had written the article only because the editor was ill (Auto. 2: 33).
- 17
ambition to create … a well-rounded whole of philosophy … a vision ever since I was a boy BR reiterated this ambition in his Autobiography: “As soon as I realized that I was intelligent, I determined to achieve something of intellectual importance if it should be at all possible, and throughout my youth I let nothing whatever stand in the way of this ambition” (Auto. 1: 36–7). As an old man, BR recalled visiting the Tiergarten in Berlin in 1895, when he “determined to write two series of books: one abstract, growing gradually more concrete; the other concrete, growing gradually more abstract. They were to be crowned by a synthesis, combining pure theory with a practical social philosophy. Except for the final synthesis, which still eludes me, I have written these books” (Auto. 3: 222).
- 18
stand beside you at the edge of the world He wrote similarly to Colette in Letter 81 (see note 14 there) and on 8 June 1919 (BRACERS 19487).
- 19
my comrade His usual phrase was “heart’s comrade”.
- 20
angelic to Eliot In Letter 81 BR asked Colette if she had been “able to accomplish anything for Eliot”, who faced being called up for military service by the United States. Colette did introduce T.S. Eliot to an American army officer, Colonel J. Mitchell, but it is unclear what, if anything, resulted from their meeting at Russell Chambers on the same day as BR wrote Letter 103. Ultimately, Eliot served briefly in the American navy after being called up in the final weeks of the war. After his release BR expressed jealousy of Mitchell in varying degrees in letters until the last mention of him on 8 June 1919 (BRACERS 19487; SLBR 2: #327).
- 21
Letters for Gladys and Ottoline and Miss Wrinch, and from Eliot Only the letter to Ottoline is known to be extant (Letter 102).
Brixton Prison
Located in southwest London Brixton is the capital’s oldest prison. It opened in 1820 as the Surrey House of Correction for minor offenders of both sexes, but became a women-only convict prison in the 1850s. Brixton was a military prison from 1882 until 1898, after which it served as a “local” prison for male offenders sentenced to two years or less, and as London’s main remand centre for those in custody awaiting trial. The prison could hold up to 800 inmates. Originally under local authority jurisdiction, local prisons were transferred to Home Office control in 1878 in an attempt to establish uniform conditions of confinement. These facilities were distinct from “convict” prisons reserved for more serious or repeat offenders sentenced to longer terms of penal servitude.
Catherine E. Marshall
Catherine E. Marshall (1880–1961), suffragist and internationalist who after August 1914 quickly moved from campaigning for women’s votes to protesting the war. An associate member of the No-Conscription Fellowship, she collaborated closely with BR during 1917 especially, when she was the organization’s Acting Hon. Secretary and he its Acting Chairman. Physically broken by a year of intense political work on behalf of the C.O. community, Marshall then spent several months convalescing with the NCF’s founding chairman, Clifford Allen, after he was released from prison on health grounds late in 1917. According to Jo Vellacott, Marshall was in love with Allen and “suffered deeply when he was imprisoned”. During his own imprisonment BR heard rumours that Marshall was to marry Allen (e.g., Letter 71), and Vellacott further suggests that the couple lived together during 1918 “in what seems to have been a trial marriage; Marshall was devastated when the relationship ended” (Oxford DNB). Throughout the inter-war period Marshall was active in the Women’s International League for Peace and Freedom.
Clifford Allen
(Reginald) Clifford Allen (1889–1939; Baron Allen of Hurtwood, 1932) was a socialist politician and publicist who joined the Cambridge University Fabian Society while studying at Peterhouse College (1908–11). After graduating he became active in the Independent Labour Party in London and helped establish a short-lived labour newspaper, the Daily Citizen. During the war Allen was an inspiring and effective leader of the C.O. movement as chairman of the No-Conscription Fellowship, which he co-founded with Fenner Brockway in November 1914. Court-martialled and imprisoned three times after his claim for absolute exemption from war service was rejected, Allen became desperately ill during his last spell of incarceration. He was finally released from the second division of Winchester Prison on health grounds in December 1917, but not before contracting the tuberculosis with which he was finally diagnosed in September 1918. He was dogged by ill health for the rest of his life. BR had enormous affection and admiration for Allen (e.g., 68 in Papers 13, 46 in Papers 14), a trusted wartime political associate. From February 1919 until March 1920 he even shared Allen’s Battersea apartment. A close friendship was soured, however, by Allen’s rejection of BR’s unforgiving critique of the Bolshevik regime, which both men witnessed at first hand with the British Labour Delegation to Russia in May 1920 (see Papers 15: 507). Yet Allen was far from revolutionary himself and did not even identify with the left wing of the ILP (which he chaired in the early 1920s). He was elevated to the peerage as a supporter of Ramsay MacDonald’s National Government, an administration despised by virtually the entire labour movement. Although Allen’s old intimacy with BR was never restored after the Russia trip, any lingering estrangement did not inhibit him from enrolling his daughter, Joan Colette (“Polly”) at the Russells’ Beacon Hill School.
Dorothy Wrinch
Dorothy Maud Wrinch (1894–1976), mathematician, philosopher, and theoretical biologist. She studied mathematics and philosophy at Girton College, Cambridge, and came under BR’s influence in her second year when she took his course on mathematical logic. She taught mathematics at University College, London, 1918–21, and then at Oxford, 1922–30. Her first publications were in mathematical logic and philosophy, and during the 1920s she wrote on the philosophy of science. But in the 1930s her interests turned to mathematical biology and crystallography, and in 1935 she moved to the United States on a Rockefeller Foundation fellowship and remained there for the rest of her life. Unfortunately, as a biologist she is best known for a long and stubborn controversy with Linus Pauling about the structure of proteins in which he was right and she was wrong. See Marjorie Senechal, I Died for Beauty: Dorothy Wrinch and the Cultures of Science (New York: Oxford U. P., 2013). Chapter 7 is devoted to Wrinch’s interactions with BR in Brixton.
Dr. Alfred Salter
Dr. Alfred Salter (1873–1945), socialist and pacifist physician, replaced BR as Acting Chairman of the NCF in January 1918. For two decades he had been dedicated both professionally and politically to the working-class poor of Bermondsey. In 1898 Salter moved there into a settlement house founded by the Rev. John Scott Lidgett to minister to the health, social and educational needs of this chronically deprived borough in south-east London. In establishing a general practice in Bermondsey, Salter forsook the very real prospect of advancement in the medical sciences (at which he had excelled as a student at Guy’s). Shortly after his marriage to fellow settlement house worker Ada Brown in 1900, the couple joined the Society of Friends and Salter became active in local politics as a Liberal councillor. In 1908 he became a founding member of the Independent Labour Party’s Bermondsey branch and twice ran for Parliament there under its banner before winning the seat for the ILP in 1922. Although he lost it the following year, he was again elected in October 1924 and represented the constituency for the last twenty years of his life, during which he remained a consistently strong pacifist voice inside the ILP. Salter was an indefatigable organizer whose steely political will and fixed sense of purpose made him, in BR’s judgement, inflexible and doctrinaire when it came to the nuances of conscientious objection. See Oxford DNB and A. Fenner Brockway, Bermondsey Story: the Life of Alfred Salter (London: Allen & Unwin, 1949).
Experimental Theatre
Colette first mentioned that she and Miles were trying to start an Experimental Theatre in a letter of 24 June 1918 (BRACERS 113135), indicating that Miles would earn a tiny income from it. About a month later, she wrote that Elizabeth Russell had subscribed generously to the Theatre and that £700 had been raised, but hundreds still had to be found (BRACERS 113146). A few days later she wrote that Captain Stephen Gordon, a north-country lawyer working for the government, was to be the honorary treasurer, noting that he had “put most of the drive into the whole thing” (BRACERS 113147). During August Colette was happy with her involvement with the Theatre (Letter 68). John Galsworthy came to tea to discuss the project (c.14 Aug., BRACERS 113149). On 2 September she listed the members of the Theatre committee as “Desmond <MacCarthy>, Massingham, Galsworthy, and Dennis (Bradley)” (BRACERS 113155). The following day she wrote that she was learning three parts (BRACERS 113156). In her memoirs, Colette wrote about the “Experimental Little Theatre” but dated it 1919 (After Ten Years [London: Cape, 1931], pp. 129–30). An “artistic” theatre did get founded in 1920 in Hampstead, and John Galsworthy was connected to that venture, The Everyman Theatre — he was part of a reading committee which chose the works to be performed (The Times, 9 Sept. 1919, p. 8). The Everyman Theatre was under the direction of Norman MacDermott. In his book Everymania (London: Society for Theatre Research, 1975), he noted that he met Miles in the summer of 1918: they rented a store in Bloomsbury, had a cabinetmaker build sets, and put on plays with actors “bored with West-End theatres” (p. 10). It is likely that the Everyman Theatre was an out-growth of the Experimental Theatre.
Frank Russell
John Francis (“Frank”) Stanley Russell (1865–1931; 2nd Earl Russell from 1878), BR’s older brother. Author of Lay Sermons (1902), Divorce (1912), and My Life and Adventures (1923). BR remembered Frank bullying him as a child and as having the character and appearance of a Stanley, but also as giving him his first geometry lessons (Auto. 1: 26, 36). He was accomplished in many fields: sailor, electrician, house builder, pioneer motorist, local politician, lawyer, businessman and company director, and (later) constructive junior member of the second Labour Government. Frank was married three times. The first marriage involved serious legal actions by and against his wife and her mother, but a previous scandal, which ended his career at Oxford, had an overshadowing effect on his life (see Ruth Derham, “‘A Very Improper Friend’: the Influence of Jowett and Oxford on Frank Russell”, Russell 37 [2017]: 271–87). The second marriage was to Mollie Sommerville (see Ian Watson, “Mollie, Countess Russell”, Russell 23 [2003]: 65–8). The third was to Elizabeth, Countess von Arnim. Despite difficulties with him, BR declared from prison: “No prisoner can ever have had such a helpful brother” (Letter 20).
Gladys Rinder
W. Gladys Rinder worked for the No-Conscription Fellowship and was “chiefly concerned with details in the treatment of pacifist prisoners” (BR’s note, Auto. 2: 88). More specifically, she helped administer the Conscientious Objectors’ Information Bureau, a joint advisory committee set up in May 1916 and representing two other anti-conscription organizations — the Friends’ Service Committee and Fellowship of Reconciliation — as well as the NCF. One C.O. later testified to her “able and zealous” management of this repository of records on individual C.O.s (see John W. Graham, Conscription and Conscience: a History, 1916–1919 [London: Allen & Unwin, 1922], p. 186). Rinder exhibited similar qualities in assisting with the distribution of BR’s correspondence from prison and in writing him official and smuggled letters. Her role in the NCF changed in June 1918, and after the Armistice she assumed control of a new department dedicated to campaigning for the immediate release of all imprisoned C.O.s. She appears to have lost touch with BR after the war but continued her peace advocacy, which included publishing occasionally on international affairs. In 1924 she travelled to Washington, DC, as part of the British delegation to a congress of the Women’s International League for Peace and Freedom. Decades later Colette remembered Rinder to Kenneth Blackwell as somebody who “seemed about 40 in 1916–18. She was a completely nondescript person, but efficient, and kind” (BRACERS 121687).
Heart’s Comrade
Colette first called BR her “heart’s comrade” in her letter of 17 November 1916 (BRACERS 112964). On 9 December (BRACERS 112977), she explained: “I want you as comrade as well as lover.” On 9 April 1917 (BRACERS 19145), he reciprocated the sentiment for the first time. In a letter of 1 January 1918 (BRACERS 19260), BR was so upset with her that he could no longer call her “heart’s comrade”. After their relationship was patched up, he wrote on 16 February 1918 (BRACERS 19290): “I do really feel you now again my Heart’s Comrade.” The last time that BR expressed the sentiment in a letter to her was 26 August 1921 (BRACERS 19742).
Home Secretary / Sir George Cave
Sir George Cave (1856–1928; Viscount Cave, 1918), Conservative politician and lawyer, was promoted to Home Secretary (from the Solicitor-General’s office) on the formation of the Lloyd George Coalition in December 1916. His political and legal career peaked in the 1920s as Lord Chancellor in the Conservative administrations led by Andrew Bonar Law and Stanley Baldwin. At the Home Office Cave proved to be something of a scourge of anti-war dissent, being the chief promoter, for example, of the highly contentious Defence of the Realm Regulation 27C (see Letter 51).
Miles Malleson
Miles Malleson (1888–1969), actor and playwright, was born in Croydon, Surrey, the son of Edmund and Myrrha Malleson. He married his first wife, a fellow actor, Lady Constance Annesley (stage name, Colette O’Niel), in 1915. They had met at Tree’s (later the Royal Academy of Dramatic Arts). Their marriage was an “open” one. In 1914 Miles enlisted in the City of London Fusiliers and was sent to Malta. He became ill and was discharged, unfit for further service. He became active in the No-Conscription Fellowship and wrote anti-war stage plays as well as a pamphlet, Cranks and Commonsense (1916). In the 1930s he began to write for the screen and act in films, in which he became a very well-known character actor, as well as continuing his stage career at the Old Vic in London. He married three times: his second marriage was to Joan Billson, a physician (married 1923, divorced 1940), with whom he had two children; his third wife was Tatiana Lieven, an actress (married 1946). He died in London in March 1969.
Ottoline Morrell
Lady Ottoline Morrell, née Cavendish-Bentinck (1873–1938). Ottoline, who was the half-sister of the 6th Duke of Portland and grew up in the politically involved aristocracy, studied at St. Andrews and Oxford. She married, in 1902, Philip Morrell (1870–1943), who became a Liberal M.P. in 1910. She is best known as a Bloomsbury literary and artistic hostess. BR and she had a passionate but non-exclusive love affair from 1911 to 1916. They remained friends for life. She published no books of her own but kept voluminous diaries (now in the British Library) and was an avid photographer of her guests at Garsington Manor, near Oxford. (The photos are published in Lady Ottoline’s Album [1976] and mounted at the website of the National Portrait Gallery.) In the 1930s she had a large selection of BR’s letters to her typed, omitting sensitive passages. BR’s letters to her are with the bulk of her papers at the University of Texas, Austin.
Russell Chambers
34 Russell Chambers, Bury Street (since renamed Bury Place), London WC1, BR’s flat since 1911. Helen Dudley rented the flat in late 1916 or early 1917. In May 1918 she sublet it to Clare Annesley. Colette moved in on 9 September 1918 and stayed until June 1919. BR did not give up the lease until December 1923. See S. Turcon, “Russell Chambers, Other London Flats, and Country Homes, 1911–1923”, Bertrand Russell Society Bulletin, no. 150 (Fall 2014): 30–4. “Russell Chambers, Other London Flats, and Country Homes, 1911–1923”, Bertrand Russell Society Bulletin, no. 150 (Fall 2014): 30–4.
T.S. Eliot
The poet and critic Thomas Stearns Eliot (1888–1965) was a student of BR’s at Harvard in 1914. BR had sensed his ability, especially “a certain exquisiteness of appreciation” (to Lucy Donnelly, 11 May 1914; SLBR 1: 491), but did not see a genius in embryo. After Eliot travelled to England later the same year, to study philosophy at Oxford under H.H. Joachim, BR became something of a father figure to the younger man. He also befriended Eliot’s (English) wife, Vivienne, whom he had hastily married in 1915 and with whom BR may have had an affair the following year. BR shared his Bloomsbury apartment (at 34 Russell Chambers) with the couple for more than a year after their marriage, and jointly rented a property with them in Marlow, Bucks. (see Letter 78). He further eased Eliot’s monetary concerns by arranging paid reviewing for him and giving him £3,000 in debentures from which BR was reluctant, on pacifist grounds, to collect the income (Auto. 2: 19). Eliot’s financial security was much improved by obtaining a position at Lloyd’s Bank in 1917, but during BR’s imprisonment he faced uncertainty of a different kind as the shadow of conscription loomed over him (see, e.g., Letter 27). Nine years after the war ended Eliot returned the securities (BRACERS 76480).
Constance Malleson
Lady Constance Malleson (1895–1975), actress and author, was the daughter of Hugh Annesley, 5th Earl Annesley, and his second wife, Priscilla. “Colette” (as she was known to BR) was raised at the family home, Castlewellan Castle, County Down, Northern Ireland. Becoming an actress was an unusual path for a woman of her class. She studied at Tree’s (later the Royal Academy of Dramatic Art), debuting in 1914 with the stage name of Colette O’Niel at the Duke of York’s Theatre, London, in a student production. She married fellow actor Miles Malleson (1888–1969) in 1915 because her family would not allow them to live together. In 1916 Colette met BR through the No-Conscription Fellowship and began a love affair with him that lasted until 1920. The affair was rekindled twice, in 1929 and 1948; they remained friends for the rest of his life. She had a great talent for making and keeping friends. Colette acted in London and the provinces. She toured South Africa in 1928–29 and the Middle East, Greece and Italy in 1932 in Lewis Casson and Sybil Thorndike’s company. She acted in two films, both in 1918, Hindle Wakes and The Admirable Crichton, each now lost. With BR’s encouragement she began a writing career, publishing a short story in The English Review in 1919. She published other short stories as well as hundreds of articles and book reviews. Colette wrote two novels — The Coming Back (1933) and Fear in the Heart (1936) — as well as two autobiographies — After Ten Years (1931) and In the North (1946). She was a fierce defender of Finland, where she had lived before the outbreak of World War II. Letters from her appeared in The Times and The Manchester Guardian. Another of her causes was mental health. She died five years after BR in Lavenham, Suffolk, where she spent her final years. See S. Turcon, “A Bibliography of Constance Malleson”, Russell 32 (2012): 175–90.